近親調への転調：D major〜

2019.04.26
ムジカ・サポート > 音楽理論 > 転調 > 近親調への転調：D major〜

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：B minor（ロ短調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7
D/D6/DM7　➡︎　Em7　➡︎　F#/F#7　➡︎　　Bm/Bm6/BmM7
D/D6/DM7　➡︎　F#m7　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7
D/D6/DM7　➡︎　GM7　➡︎　F#/F#7　➡︎　　Bm/Bm6/BmM7
D/D6/DM7　➡︎　A7　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7
D/D6/DM7　➡︎　Bm7　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7
D/D6/DM7　➡︎　C#m7(-5)　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7

属調：A major（イ長調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　➡︎　E/E7　➡︎　A/A6/AM7
D/D6/DM7　➡︎　Em7　➡︎　E/E7　➡︎　　A/A6/AM7
D/D6/DM7　➡︎　F#m7　➡︎　　E/E7　➡︎　A/A6/AM7
D/D6/DM7　➡︎　GM7　➡︎　E/E7　➡︎　A/A6/AM7
D/D6/DM7　➡︎　A7　➡︎　E/E7　➡︎　A/A6/AM7
D/D6/DM7　➡︎　Bm7　➡︎　　E/E7　➡︎　A/A6/AM7
D/D6/DM7　➡︎　C#m7(-5)　➡︎　E/E7　➡︎　A/A6/AM7

属調の平行調：F# minor（嬰へ短調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　➡︎C#/C#7　➡︎　F#m/F#m6/F#mM7
D/D6/DM7　➡︎G#m(-5)/G#m7(-5) ➡︎C#/C#7 ➡︎ F#m/F#m6/F3mM7
D/D6/DM7　➡︎　Em7　➡︎　C#/C#7　➡︎　　F#m/F#m6/F#mM7
D/D6/DM7　➡︎　Em7　➡︎　G#m(-5)/G#m7(-5) ➡︎　C#/C#7 ➡︎ F#m/F#m6/F3mM7
D/D6/DM7　➡︎　F#m7　➡︎　　C#/C#7　➡︎　F#m/F#m6/F#mM7
D/D6/DM7　➡︎　F#m7　➡︎　　G#m(-5)/G#m7(-5) ➡︎　C#/C#7 ➡︎ F#m/F#m6/F3mM7
D/D6/DM7　➡︎　GM7　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7
D/D6/DM7　➡︎　GM7　➡︎　G#m(-5)/G#m7(-5) ➡︎　C#/C#7 ➡︎ F#m/F#m6/F3mM7
D/D6/DM7　➡︎　A7　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7
D/D6/DM7　➡︎　A7　➡︎　G#m(-5)/G#m7(-5) ➡︎　C#/C#7 ➡︎ F#m/F#m6/F3mM7
D/D6/DM7　➡︎　Bm7　➡︎　　C#/C#7　➡︎　F#m/F#m6/F#mM7
D/D6/DM7　➡︎　Bm7　➡︎　　G#m(-5)/G#m7(-5) ➡︎　C#/C#7 ➡︎ F#m/F#m6/F3mM7
D/D6/DM7　➡︎　C#m7(-5)　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7
D/D6/DM7　➡︎　C#m7(-5)　➡︎G#m(-5)/G#m7(-5) ➡︎　C#/C#7 ➡︎ F#m/F#m6/F3mM7

下属調：G major（ト長調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　➡︎　C ➡︎　D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　Am/Am7 ➡︎D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　Em7　➡︎　C　➡︎　D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　Em7　➡︎　Am/Am7 ➡︎　D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　F#m7　➡︎　C　➡︎D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　F#m7　➡︎　Am/Am7 ➡︎D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　GM7　➡︎　C　➡︎D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　GM7　➡︎　Am/Am7 ➡︎D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　A7　➡︎　C　➡︎D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　A7　➡︎　Am/Am7 ➡︎　D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　Bm7　➡︎　C　➡︎D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　Bm7　➡︎　Am/Am7 ➡︎　D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　C#m7(-5)➡︎　C　➡︎　D/D7 ➡︎G/G6/GM7
D/D6/DM7　➡︎　C#m7(-5)➡︎　Am/Am7 ➡︎　D/D7 ➡︎G/G6/GM7

下属調の平行調：E minor（ホ短調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　➡︎　B/B7　➡︎　Em/ Em6/EmM7
D/D6/DM7　➡︎　Am/Am7 ➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　F#m(-5)/F#m7(-5)➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　C#/C#M7　➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　C#/C#M7　➡︎F#m(-5)/F#m7(-5)/Am/Am7➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　Em7　➡︎　B/B7　➡︎　　Em/ Em6/EmM7
D/D6/DM7　➡︎　Em7　➡︎　Am/Am7 ➡︎　B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　Em7　➡︎　F#m(-5)/F#m7(-5)➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　Em7　➡︎　C#/C#M7　➡︎　B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　Em7　➡︎　C#/C#M7　➡︎　➡︎　F#m(-5)/F#m7(-5)/Am/Am7➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　F#m7　➡︎　B/B7　➡︎　Em/ Em6/EmM7
D/D6/DM7　➡︎　F#m7　➡︎　Am/Am7 ➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　F#m7　➡︎　F#m(-5)/F#m7(-5)➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　F#m7　➡︎C#/C#M7　➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　F#m7　➡︎C#/C#M7　➡︎F#m(-5)/F#m7(-5)/Am/Am7➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　GM7　➡︎　B/B7　➡︎　Em/ Em6/EmM7
D/D6/DM7　➡︎　GM7　➡︎　Am/Am7 ➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　GM7　➡︎　F#m(-5)/F#m7(-5)➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　GM7　➡︎C#/C#M7　➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　GM7　➡︎C#/C#M7　➡︎F#m(-5)/F#m7(-5)/Am/Am7➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　A　➡︎　B/B7　➡︎　Em/ Em6/EmM7
D/D6/DM7　➡︎　A　➡︎　Am/Am7 ➡︎　B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　A　➡︎　F#m(-5)/F#m7(-5)➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　A　➡︎C#/C#M7　➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　A　➡︎C#/C#M7　➡︎F#m(-5)/F#m7(-5)/Am/Am7➡︎B/B7
➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　A　➡︎　B/B7　➡︎　Em/ Em6/EmM7
D/D6/DM7　➡︎　Bm7　➡︎　Am/Am7 ➡︎　B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　Bm7　➡︎　F#m(-5)/F#m7(-5)➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　Bm7　➡︎C#/C#M7　➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　Bm7　➡︎C#/C#M7　➡︎F#m(-5)/F#m7(-5)/Am/Am7➡︎B/B7
➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　C#m7(-5)➡︎　B/B7　➡︎　Em/ Em6/EmM7
D/D6/DM7　➡︎　C#m7(-5)➡︎　Am/Am7 ➡︎　B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　C#m7(-5)➡︎　F#m(-5)/F#m7(-5)➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　C#m7(-5)➡︎C#/C#M7　➡︎B/B7➡︎Em/ Em6/EmM7
D/D6/DM7　➡︎　C#m7(-5)➡︎C#/C#M7　➡︎F#m(-5)/F#m7(-5)/Am/Am7➡︎B/B7
➡︎Em/ Em6/EmM7

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