近親調への転調：D major〜

転調, 音楽理論

ムジカ・サポート > 音楽理論 > 転調 > 近親調への転調：D major〜

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：B minor（ロ短調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　︎　F#/F#7　︎　Bm/Bm6/BmM7
D/D6/DM7　︎　Em7　︎　F#/F#7　︎　　Bm/Bm6/BmM7
D/D6/DM7　︎　F#m7　︎　F#/F#7　︎　Bm/Bm6/BmM7
D/D6/DM7　︎　GM7　︎　F#/F#7　︎　　Bm/Bm6/BmM7
D/D6/DM7　︎　A7　︎　F#/F#7　︎　Bm/Bm6/BmM7
D/D6/DM7　︎　Bm7　︎　F#/F#7　︎　Bm/Bm6/BmM7
D/D6/DM7　︎　C#m7(-5)　︎　F#/F#7　︎　Bm/Bm6/BmM7

属調：A major（イ長調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　︎　E/E7　︎　A/A6/AM7
D/D6/DM7　︎　Em7　︎　E/E7　︎　　A/A6/AM7
D/D6/DM7　︎　F#m7　︎　　E/E7　︎　A/A6/AM7
D/D6/DM7　︎　GM7　︎　E/E7　︎　A/A6/AM7
D/D6/DM7　︎　A7　︎　E/E7　︎　A/A6/AM7
D/D6/DM7　︎　Bm7　︎　　E/E7　︎　A/A6/AM7
D/D6/DM7　︎　C#m7(-5)　︎　E/E7　︎　A/A6/AM7

属調の平行調：F# minor（嬰へ短調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　︎C#/C#7　︎　F#m/F#m6/F#mM7
D/D6/DM7　︎G#m(-5)/G#m7(-5) ︎C#/C#7 ︎ F#m/F#m6/F3mM7
D/D6/DM7　︎　Em7　︎　C#/C#7　︎　　F#m/F#m6/F#mM7
D/D6/DM7　︎　Em7　︎　G#m(-5)/G#m7(-5) ︎　C#/C#7 ︎ F#m/F#m6/F3mM7
D/D6/DM7　︎　F#m7　︎　　C#/C#7　︎　F#m/F#m6/F#mM7
D/D6/DM7　︎　F#m7　︎　　G#m(-5)/G#m7(-5) ︎　C#/C#7 ︎ F#m/F#m6/F3mM7
D/D6/DM7　︎　GM7　︎　C#/C#7　︎　F#m/F#m6/F#mM7
D/D6/DM7　︎　GM7　︎　G#m(-5)/G#m7(-5) ︎　C#/C#7 ︎ F#m/F#m6/F3mM7
D/D6/DM7　︎　A7　︎　C#/C#7　︎　F#m/F#m6/F#mM7
D/D6/DM7　︎　A7　︎　G#m(-5)/G#m7(-5) ︎　C#/C#7 ︎ F#m/F#m6/F3mM7
D/D6/DM7　︎　Bm7　︎　　C#/C#7　︎　F#m/F#m6/F#mM7
D/D6/DM7　︎　Bm7　︎　　G#m(-5)/G#m7(-5) ︎　C#/C#7 ︎ F#m/F#m6/F3mM7
D/D6/DM7　︎　C#m7(-5)　︎　C#/C#7　︎　F#m/F#m6/F#mM7
D/D6/DM7　︎　C#m7(-5)　︎G#m(-5)/G#m7(-5) ︎　C#/C#7 ︎ F#m/F#m6/F3mM7

下属調：G major（ト長調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　︎　C ︎　D/D7 ︎G/G6/GM7
D/D6/DM7　︎　Am/Am7 ︎D/D7 ︎G/G6/GM7
D/D6/DM7　︎　Em7　︎　C　︎　D/D7 ︎G/G6/GM7
D/D6/DM7　︎　Em7　︎　Am/Am7 ︎　D/D7 ︎G/G6/GM7
D/D6/DM7　︎　F#m7　︎　C　︎D/D7 ︎G/G6/GM7
D/D6/DM7　︎　F#m7　︎　Am/Am7 ︎D/D7 ︎G/G6/GM7
D/D6/DM7　︎　GM7　︎　C　︎D/D7 ︎G/G6/GM7
D/D6/DM7　︎　GM7　︎　Am/Am7 ︎D/D7 ︎G/G6/GM7
D/D6/DM7　︎　A7　︎　C　︎D/D7 ︎G/G6/GM7
D/D6/DM7　︎　A7　︎　Am/Am7 ︎　D/D7 ︎G/G6/GM7
D/D6/DM7　︎　Bm7　︎　C　︎D/D7 ︎G/G6/GM7
D/D6/DM7　︎　Bm7　︎　Am/Am7 ︎　D/D7 ︎G/G6/GM7
D/D6/DM7　︎　C#m7(-5)︎　C　︎　D/D7 ︎G/G6/GM7
D/D6/DM7　︎　C#m7(-5)︎　Am/Am7 ︎　D/D7 ︎G/G6/GM7

下属調の平行調：E minor（ホ短調）への転調

先行調のコード特徴コード　後続調の確立
D/D6/DM7　︎　B/B7　︎　Em/ Em6/EmM7
D/D6/DM7　︎　Am/Am7 ︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　F#m(-5)/F#m7(-5)︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　C#/C#M7　︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　C#/C#M7　︎F#m(-5)/F#m7(-5)/Am/Am7︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　Em7　︎　B/B7　︎　　Em/ Em6/EmM7
D/D6/DM7　︎　Em7　︎　Am/Am7 ︎　B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　Em7　︎　F#m(-5)/F#m7(-5)︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　Em7　︎　C#/C#M7　︎　B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　Em7　︎　C#/C#M7　︎　︎　F#m(-5)/F#m7(-5)/Am/Am7︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　F#m7　︎　B/B7　︎　Em/ Em6/EmM7
D/D6/DM7　︎　F#m7　︎　Am/Am7 ︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　F#m7　︎　F#m(-5)/F#m7(-5)︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　F#m7　︎C#/C#M7　︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　F#m7　︎C#/C#M7　︎F#m(-5)/F#m7(-5)/Am/Am7︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　GM7　︎　B/B7　︎　Em/ Em6/EmM7
D/D6/DM7　︎　GM7　︎　Am/Am7 ︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　GM7　︎　F#m(-5)/F#m7(-5)︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　GM7　︎C#/C#M7　︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　GM7　︎C#/C#M7　︎F#m(-5)/F#m7(-5)/Am/Am7︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　A　︎　B/B7　︎　Em/ Em6/EmM7
D/D6/DM7　︎　A　︎　Am/Am7 ︎　B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　A　︎　F#m(-5)/F#m7(-5)︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　A　︎C#/C#M7　︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　A　︎C#/C#M7　︎F#m(-5)/F#m7(-5)/Am/Am7︎B/B7
︎Em/ Em6/EmM7
D/D6/DM7　︎　A　︎　B/B7　︎　Em/ Em6/EmM7
D/D6/DM7　︎　Bm7　︎　Am/Am7 ︎　B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　Bm7　︎　F#m(-5)/F#m7(-5)︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　Bm7　︎C#/C#M7　︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　Bm7　︎C#/C#M7　︎F#m(-5)/F#m7(-5)/Am/Am7︎B/B7
︎Em/ Em6/EmM7
D/D6/DM7　︎　C#m7(-5)︎　B/B7　︎　Em/ Em6/EmM7
D/D6/DM7　︎　C#m7(-5)︎　Am/Am7 ︎　B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　C#m7(-5)︎　F#m(-5)/F#m7(-5)︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　C#m7(-5)︎C#/C#M7　︎B/B7︎Em/ Em6/EmM7
D/D6/DM7　︎　C#m7(-5)︎C#/C#M7　︎F#m(-5)/F#m7(-5)/Am/Am7︎B/B7
︎Em/ Em6/EmM7