近親調への転調：A major〜

2019.04.26
ムジカ・サポート > 音楽理論 > 転調 > 近親調への転調：A major〜

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：F-sharp minor（嬰へ短調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7
A/A6/AM7　➡︎　Bm7　➡︎　C#/C#7　➡︎　　F#m/F#m6/F#mM7
A/A6/AM7　➡︎　C#m7　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7
A/A6/AM7　➡︎　DM7　➡︎　C#/C#7　➡︎　　F#m/F#m6/F#mM7
A/A6/AM7　➡︎　E7　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7
A/A6/AM7　➡︎　F#m7　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7
A/A6/AM7　➡︎　G#m7(-5)　➡︎　C#/C#7　➡︎　F#m/F#m6/F#mM7

属調：E major（ホ長調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　➡︎　B/B7　➡︎　E/E6/EM7
A/A6/AM7　➡︎　Bm7　➡︎　B/B7　➡︎　　E/E6/EM7
A/A6/AM7　➡︎　C#m7　➡︎　　B/B7　➡︎　E/E6/EM7
A/A6/AM7　➡︎　DM7　➡︎　B/B7　➡︎　E/E6/EM7
A/A6/AM7　➡︎　　B/B7　➡︎　E/E6/EM7
A/A6/AM7　➡︎　F#m7　➡︎　　B/B7　➡︎　E/E6/EM7
A/A6/AM7　➡︎　G#m7(-5)　➡︎　B/B7　➡︎　E/E6/EM7

属調の平行調：C-sharp minor（嬰ハ短調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　➡︎G#/G#7　➡︎　C#m/C#m6/C#mM7
A/A6/AM7　➡︎D#m(-5)/D#m7(-5) ➡︎G#/G#7 ➡︎ C#m/C#m6/C#mM7
A/A6/AM7　➡︎　Bm7　➡︎　G#/G#7　➡︎　　C#m/C#m6/C#mM7
A/A6/AM7　➡︎　Bm7　➡︎　D#m(-5)/D#m7(-5) ➡︎　G#/G#7 ➡︎ C#m/C#m6/C#mM7
A/A6/AM7　➡︎　C#m7　➡︎　　G#/G#7　➡︎　C#m/C#m6/C#mM7
A/A6/AM7　➡︎　C#m7　➡︎　　D#m(-5)/D#m7(-5) ➡︎　G#/G#7 ➡︎ C#m/C#m6/C3mM7
A/A6/AM7　➡︎　DM7　➡︎　G#/G#7　➡︎　C#m/C#m6/C#mM7
A/A6/AM7　➡︎　DM7　➡︎　D#m(-5)/D#m7(-5) ➡︎　G#/G#7 ➡︎ C#m/C#m6/C#mM7
A/A6/AM7　➡︎　E7　➡︎　G#/G#7　➡︎　C#m/C#m6/C#mM7
A/A6/AM7　➡︎　E7　➡︎　D#m(-5)/D#m7(-5) ➡︎　G#/G#7 ➡︎ C#m/C#m6/C#mM7
A/A6/AM7　➡︎　F#m7　➡︎　　G#/G#7　➡︎　C#m/C#m6/C#mM7
A/A6/AM7　➡︎　F#m7　➡︎　　D#m(-5)/D#m7(-5) ➡︎　G#/G#7 ➡︎ C#m/C#m6/C3mM7
A/A6/AM7　➡︎　G#m7(-5)　➡︎　G#/G#7　➡︎　C#m/C#m6/C#mM7
A/A6/AM7　➡︎　G#m7(-5)　➡︎D#m(-5)/D#m7(-5) ➡︎　G#/G#7 ➡︎ C#m/C#m6/C#mM7

下属調：D major（ニ長調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　➡︎　G ➡︎　A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　Em/Em7 ➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　Bm7　➡︎　G　➡︎　A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　Bm7　➡︎　Em/Em7 ➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　C#m7　➡︎　G　➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　C#m7　➡︎　Em/Em7 ➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　DM7　➡︎　G　➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　DM7　➡︎　Em/Em7 ➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　E7　➡︎　G　➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　E7　➡︎　Em/Em7 ➡︎　A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　F#m7　➡︎　G　➡︎A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　F#m7　➡︎　Em/Em7 ➡︎　A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　G#m7(-5)➡︎　G　➡︎　A/A7 ➡︎D/D6/DM7
A/A6/AM7　➡︎　G#m7(-5)➡︎　Em/Em7 ➡︎　A/A7 ➡︎D/D6/DM77

下属調の平行調：B minor（ロ短調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　➡︎　F#/F#7　➡︎　Bm/ Bm6/BmM7
A/A6/AM7　➡︎　Em/Em7 ➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　C#m(-5)/C#m7(-5)➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　G　➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　G　➡︎C#m(-5)/C#m7(-5)Em/Em7➡︎F#/F#7
➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　Bm7　➡︎　F#/F#7　➡︎　　Bm/ Bm6/BmM7
A/A6/AM7　➡︎　Bm7　➡︎　Em/Em7 ➡︎　F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　Bm7　➡︎　C#m(-5)/C#m7(-5)➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　Bm7　➡︎　G　➡︎　F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　Bm7　➡︎　G　➡︎　C#m(-5)/C#m7(-5)Em/Em7➡︎F#/F#7
➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　C#m7　➡︎　F#/F#7　➡︎　Bm/ Bm6/BmM7
A/A6/AM7　➡︎　C#m7　➡︎　Em/Em7 ➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　C#m7　➡︎　C#m(-5)/C#m7(-5)➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　C#m7　➡︎G　➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　C#m7　➡︎G　➡︎C#m(-5)/C#m7(-5)Em/Em7➡︎F#/F#7
➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　DM7　➡︎　F#/F#7　➡︎　Bm/ Bm6/BmM7
A/A6/AM7　➡︎　DM7　➡︎　Em/Em7 ➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　DM7　➡︎　C#m(-5)/C#m7(-5)➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　DM7　➡︎G　➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　DM7　➡︎G　➡︎C#m(-5)/C#m7(-5)Em/Em7➡︎F#/F#7
➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　E　➡︎　F#/F#7➡︎　Bm/ Bm6/BmM7
A/A6/AM7　➡︎　E　➡︎　Em/Em7 ➡︎ ➡︎　F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　E　➡︎　C#m(-5)/C#m7(-5)➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　E　➡︎G　➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　E　➡︎G　➡︎C#m(-5)/C#m7(-5)Em/Em7➡︎F#/F#7
➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　E　➡︎　F#/F#7　➡︎　Bm/ Bm6/BmM7
A/A6/AM7　➡︎　F#m7　➡︎　Em/Em7 ➡︎　F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　F#m7　➡︎　C#m(-5)/C#m7(-5)➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　F#m7　➡︎G　➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　F#m7　➡︎G　➡︎C#m(-5)/C#m7(-5)Em/Em7➡︎F#/F#7
➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　G#m7(-5)➡︎　F#/F#7　➡︎　Bm/ Bm6/BmM7
A/A6/AM7　➡︎　G#m7(-5)➡︎　Em/Em7 ➡︎　F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　G#m7(-5)➡︎　C#m(-5)/C#m7(-5)➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　G#m7(-5)➡︎G　➡︎F#/F#7➡︎Bm/ Bm6/BmM7
A/A6/AM7　➡︎　G#m7(-5)➡︎G　➡︎C#m(-5)/C#m7(-5)Em/Em7➡︎F#/F#7
➡︎Bm/ Bm6/BmM7

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