近親調への転調：A major〜

転調, 音楽理論

ムジカ・サポート > 音楽理論 > 転調 > 近親調への転調：A major〜

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：F-sharp minor（嬰へ短調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　︎　C#/C#7　︎　F#m/F#m6/F#mM7
A/A6/AM7　︎　Bm7　︎　C#/C#7　︎　　F#m/F#m6/F#mM7
A/A6/AM7　︎　C#m7　︎　C#/C#7　︎　F#m/F#m6/F#mM7
A/A6/AM7　︎　DM7　︎　C#/C#7　︎　　F#m/F#m6/F#mM7
A/A6/AM7　︎　E7　︎　C#/C#7　︎　F#m/F#m6/F#mM7
A/A6/AM7　︎　F#m7　︎　C#/C#7　︎　F#m/F#m6/F#mM7
A/A6/AM7　︎　G#m7(-5)　︎　C#/C#7　︎　F#m/F#m6/F#mM7

属調：E major（ホ長調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　︎　B/B7　︎　E/E6/EM7
A/A6/AM7　︎　Bm7　︎　B/B7　︎　　E/E6/EM7
A/A6/AM7　︎　C#m7　︎　　B/B7　︎　E/E6/EM7
A/A6/AM7　︎　DM7　︎　B/B7　︎　E/E6/EM7
A/A6/AM7　︎　　B/B7　︎　E/E6/EM7
A/A6/AM7　︎　F#m7　︎　　B/B7　︎　E/E6/EM7
A/A6/AM7　︎　G#m7(-5)　︎　B/B7　︎　E/E6/EM7

属調の平行調：C-sharp minor（嬰ハ短調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　︎G#/G#7　︎　C#m/C#m6/C#mM7
A/A6/AM7　︎D#m(-5)/D#m7(-5) ︎G#/G#7 ︎ C#m/C#m6/C#mM7
A/A6/AM7　︎　Bm7　︎　G#/G#7　︎　　C#m/C#m6/C#mM7
A/A6/AM7　︎　Bm7　︎　D#m(-5)/D#m7(-5) ︎　G#/G#7 ︎ C#m/C#m6/C#mM7
A/A6/AM7　︎　C#m7　︎　　G#/G#7　︎　C#m/C#m6/C#mM7
A/A6/AM7　︎　C#m7　︎　　D#m(-5)/D#m7(-5) ︎　G#/G#7 ︎ C#m/C#m6/C3mM7
A/A6/AM7　︎　DM7　︎　G#/G#7　︎　C#m/C#m6/C#mM7
A/A6/AM7　︎　DM7　︎　D#m(-5)/D#m7(-5) ︎　G#/G#7 ︎ C#m/C#m6/C#mM7
A/A6/AM7　︎　E7　︎　G#/G#7　︎　C#m/C#m6/C#mM7
A/A6/AM7　︎　E7　︎　D#m(-5)/D#m7(-5) ︎　G#/G#7 ︎ C#m/C#m6/C#mM7
A/A6/AM7　︎　F#m7　︎　　G#/G#7　︎　C#m/C#m6/C#mM7
A/A6/AM7　︎　F#m7　︎　　D#m(-5)/D#m7(-5) ︎　G#/G#7 ︎ C#m/C#m6/C3mM7
A/A6/AM7　︎　G#m7(-5)　︎　G#/G#7　︎　C#m/C#m6/C#mM7
A/A6/AM7　︎　G#m7(-5)　︎D#m(-5)/D#m7(-5) ︎　G#/G#7 ︎ C#m/C#m6/C#mM7

下属調：D major（ニ長調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　︎　G ︎　A/A7 ︎D/D6/DM7
A/A6/AM7　︎　Em/Em7 ︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　Bm7　︎　G　︎　A/A7 ︎D/D6/DM7
A/A6/AM7　︎　Bm7　︎　Em/Em7 ︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　C#m7　︎　G　︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　C#m7　︎　Em/Em7 ︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　DM7　︎　G　︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　DM7　︎　Em/Em7 ︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　E7　︎　G　︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　E7　︎　Em/Em7 ︎　A/A7 ︎D/D6/DM7
A/A6/AM7　︎　F#m7　︎　G　︎A/A7 ︎D/D6/DM7
A/A6/AM7　︎　F#m7　︎　Em/Em7 ︎　A/A7 ︎D/D6/DM7
A/A6/AM7　︎　G#m7(-5)︎　G　︎　A/A7 ︎D/D6/DM7
A/A6/AM7　︎　G#m7(-5)︎　Em/Em7 ︎　A/A7 ︎D/D6/DM77

下属調の平行調：B minor（ロ短調）への転調

先行調のコード特徴コード　後続調の確立
A/A6/AM7　︎　F#/F#7　︎　Bm/ Bm6/BmM7
A/A6/AM7　︎　Em/Em7 ︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　C#m(-5)/C#m7(-5)︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　G　︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　G　︎C#m(-5)/C#m7(-5)Em/Em7︎F#/F#7
︎Bm/ Bm6/BmM7
A/A6/AM7　︎　Bm7　︎　F#/F#7　︎　　Bm/ Bm6/BmM7
A/A6/AM7　︎　Bm7　︎　Em/Em7 ︎　F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　Bm7　︎　C#m(-5)/C#m7(-5)︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　Bm7　︎　G　︎　F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　Bm7　︎　G　︎　C#m(-5)/C#m7(-5)Em/Em7︎F#/F#7
︎Bm/ Bm6/BmM7
A/A6/AM7　︎　C#m7　︎　F#/F#7　︎　Bm/ Bm6/BmM7
A/A6/AM7　︎　C#m7　︎　Em/Em7 ︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　C#m7　︎　C#m(-5)/C#m7(-5)︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　C#m7　︎G　︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　C#m7　︎G　︎C#m(-5)/C#m7(-5)Em/Em7︎F#/F#7
︎Bm/ Bm6/BmM7
A/A6/AM7　︎　DM7　︎　F#/F#7　︎　Bm/ Bm6/BmM7
A/A6/AM7　︎　DM7　︎　Em/Em7 ︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　DM7　︎　C#m(-5)/C#m7(-5)︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　DM7　︎G　︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　DM7　︎G　︎C#m(-5)/C#m7(-5)Em/Em7︎F#/F#7
︎Bm/ Bm6/BmM7
A/A6/AM7　︎　E　︎　F#/F#7︎　Bm/ Bm6/BmM7
A/A6/AM7　︎　E　︎　Em/Em7 ︎ ︎　F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　E　︎　C#m(-5)/C#m7(-5)︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　E　︎G　︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　E　︎G　︎C#m(-5)/C#m7(-5)Em/Em7︎F#/F#7
︎Bm/ Bm6/BmM7
A/A6/AM7　︎　E　︎　F#/F#7　︎　Bm/ Bm6/BmM7
A/A6/AM7　︎　F#m7　︎　Em/Em7 ︎　F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　F#m7　︎　C#m(-5)/C#m7(-5)︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　F#m7　︎G　︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　F#m7　︎G　︎C#m(-5)/C#m7(-5)Em/Em7︎F#/F#7
︎Bm/ Bm6/BmM7
A/A6/AM7　︎　G#m7(-5)︎　F#/F#7　︎　Bm/ Bm6/BmM7
A/A6/AM7　︎　G#m7(-5)︎　Em/Em7 ︎　F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　G#m7(-5)︎　C#m(-5)/C#m7(-5)︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　G#m7(-5)︎G　︎F#/F#7︎Bm/ Bm6/BmM7
A/A6/AM7　︎　G#m7(-5)︎G　︎C#m(-5)/C#m7(-5)Em/Em7︎F#/F#7
︎Bm/ Bm6/BmM7