近親調への転調：F-sharp major〜

転調, 音楽理論

ムジカ・サポート > 音楽理論 > 転調 > 近親調への転調：F-sharp major〜

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：D-sharp minor（嬰ニ短調）への転調

先行調のコード特徴コード　後続調の確立
F#/F#6/F##M7　︎　A#/A#7　︎　D#m/D#m6/D#mM7
F#/F#6/F##M7　︎　G#m7　︎　A#/A#7　︎　　D#m/D#m6/D#mM7
F#/F#6/F##M7　︎　A#m7　︎　A#/A#7　︎　D#m/D#m6/D#mM7
F#/F#6/F##M7　︎　BM7　︎　A#/A#7　︎　　D#m/D#m6/D#mM7
F#/F#6/F##M7　︎　C#7　︎　A#/A#7　︎　D#m/D#m6/D#mM7
F#/F#6/F##M7　︎　D#m7　︎　A#/A#7　︎　D#m/D#m6/D#mM7
F#/F#6/F##M7　︎　E#m7(-5)　︎　A#/A#7　︎　D#m/D#m6/D#mM7

※　E#m7(-5)　＝　Fm7(-5)

属調：C-sharp major（嬰ハ長調）への転調

先行調のコード特徴コード　後続調の確立
F#/F#6/F##M7　︎　G#/G#7　︎　C#/C#6/C#M7
F#/F#6/F##M7　︎　G#m7　︎　G#/G#7　︎　　C#/C#6/C#M7
F#/F#6/F##M7　︎　A#m7　︎　　G#/G#7　︎　C#/C#6/C#M7
F#/F#6/F##M7　︎　BM7　︎　G#/G#7　︎　C#/C#6/C#M7
F#/F#6/F##M7　︎　C#　G#/G#7　︎　C#/C#6/C#M7
F#/F#6/F##M7　︎　D#m7　︎　　G#/G#7　︎　C#/C#6/C#M7
F#/F#6/F##M7　︎　E#m7(-5)　︎　G#/G#7　︎　C#/C#6/C#M7

※　E#m7(-5)　＝　Fm7(-5)

属調の平行調：A-sharp minor（嬰イ短調）への転調

先行調のコード特徴コード　後続調の確立
F#/F#6/F#M7　︎E#/E#7　︎　A#m/A#m6/A#mM7
F#/F#6/F#M7　︎B#m(-5)/B#m7(-5) ︎E#/E#7︎ A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　G#m7　︎　E#/E#7　︎　　A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　G#m7　︎　B#m(-5)/B#m7(-5) ︎　E#/E#7︎ A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　A#m7　︎　　E#/E#7　︎　A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　A#m7　︎　　B#m(-5)/B#m7(-5)︎　E#/E#7︎ A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　BM7　︎　E#/E#7　︎　A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　BM7　︎　B#m(-5)/B#m7(-5)︎　E#/E#7︎ A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　C#7　︎　E#/E#7　︎　A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　C#7　︎　B#m(-5)/B#m7(-5)︎　E#/E#7︎ A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　D#m7　︎　　E#/E#7　︎　A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　D#m7　︎　　B#m(-5)/B#m7(-5)︎　E#/E#7︎ A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　E#m7(-5)　︎　E#/E#7　︎　A#m/A#m6/A#mM7
F#/F#6/F#M7　︎　E#m7(-5)　︎B#m(-5)/B#m7(-5)︎　E#/E#7︎ A#m/A#m6/A#mM7

※　E#m(-5)/E#m7(-5) = Fm(-5)/Fm7(-5)

E#/E#7 = F/F7

B#m(-5)/B#m7(-5) = Cm(-5)/Cm7(-5)

下属調：B major（ロ長調）への転調

先行調のコード特徴コード　後続調の確立
F#/F#6/F#M7　︎　E ︎　F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　C#m/C#m7 ︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　G#m7　︎　E　︎　F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　G#m7　︎　C#m/C#m7 ︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　A#m7　︎　E　︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　A#m7　︎　C#m/C#m7 ︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　BM7　︎　E　︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　BM7　︎　C#m/C#m7 ︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　C#7　︎　E　︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　C#7　︎　C#m/C#m7 ︎　F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　D#m7　︎　E　︎F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　D#m7　︎　C#m/C#m7 ︎　F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　E#m7(-5)︎　E　︎　F#/F#7 ︎B/B6/BM7
F#/F#6/F#M7　︎　E#m7(-5)︎　C#m/C#m7 ︎　F#/F#7 ︎B/B6/BM7

下属調の平行調：G-sharp minor（嬰ト短調）への転調

先行調のコード特徴コード　後続調の確立
F#/F#6/F#M7　︎　D#/D#7　︎　G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　C#m/C#m7 ︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　A#m(-5)/A#m7(-5)︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　E#/E#M7　︎ D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　E#/E#M7　︎A#m(-5)/A#m7(-5)/C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　G#m7　︎　D#/D#7　︎　　G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　G#m7　︎　C#m/C#m7 ︎　D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　G#m7　︎　A#m(-5)/A#m7(-5)︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　G#m7　︎　E#/E#M7　︎　D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　G#m7　︎　E#/E#M7　︎　A#m(-5)/A#m7(-5)/C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　A#m7　︎　D#/D#7　︎　G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　A#m7　︎　Bm/Bm7 ︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　A#m7　︎　A#m(-5)/A#m7(-5)︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　A#m7　︎E#/E#M7　︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　A#m7　︎E#/E#M7　︎A#m(-5)/A#m7(-5)/C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　BM7　︎　D#/D#7　︎　G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　BM7　︎　C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　BM7　︎　A#m(-5)/A#m7(-5)︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　BM7　︎E#/E#M7　︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　BM7　︎E#/E#M7　︎A#m(-5)/A#m7(-5)/C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　C#　︎　D#/D#7︎　G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　C#　︎　C#m/C#m7 ︎ D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　C#　︎　A#m(-5)/A#m7(-5)︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　C#　︎E#/E#M7　︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　C#　︎E#/E#M7　︎A#m(-5)/A#m7(-5)/C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　C#　︎　D#/D#7　︎　G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　D#m7　︎　C#m/C#m7 ︎　D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　D#m7　︎　A#m(-5)/A#m7(-5)︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　D#m7　︎E#/E#M7　︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　D#m7　︎E#/E#M7　︎A#m(-5)/A#m7(-5)/C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　E#m7(-5)︎　D#/D#7　︎　G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　E#m7(-5)︎　C#m/C#m7 ︎　D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　E#m7(-5)︎　A#m(-5)/A#m7(-5)︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　E#m7(-5)︎E#/E#M7　︎D#/D#7︎G#m/ G#m6/G#mM7
F#/F#6/F#M7　︎　E#m7(-5)︎E#/E#M7　︎A#m(-5)/A#m7(-5)/C#m/C#m7︎D#/D#7︎G#m/ G#m6/G#mM7

E#/E#M7 = F/FM7