近親調への転調：E major〜　

転調, 音楽理論

ムジカ・サポート > 音楽理論 > 転調 > 近親調への転調：E major〜　

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：C-sharp minor（嬰ハ短調）への転調

先行調のコード特徴コード　後続調の確立
E/E6/EM7　︎　G#/G#7　︎　C#m/C#m6/C#mM7
E/E6/EM7　︎　F#m7　︎　G#/G#7　︎　　C#m/C#m6/C#mM7
E/E6/EM7　︎　G#m7　︎　G#/G#7　︎　C#m/C#m6/C#mM7
E/E6/EM7　︎　AM7　︎　G#/G#7　︎　　C#m/C#m6/C#mM7
E/E6/EM7　︎　B7　︎　G#/G#7　︎　C#m/C#m6/C#mM7
E/E6/EM7　︎　C#m7　︎　G#/G#7　︎　C#m/C#m6/C#mM7
E/E6/EM7　︎　D#m7(-5)　︎　G#/G#7　︎　C#m/C#m6/C#mM7

属調：B major（ロ長調）への転調

先行調のコード特徴コード　後続調の確立
E/E6/EM7　︎　F#/F#7　︎　B/B6/BM7
E/E6/EM7　︎　F#m7　︎　F#/F#7　︎　　B/B6/BM7
E/E6/EM7　︎　G#m7　︎　　F#/F#7　︎　B/B6/BM7
E/E6/EM7　︎　AM7　︎　F#/F#7　︎　B/B6/BM7
E/E6/EM7　︎　B　F#/F#7　︎　B/B6/BM7
E/E6/EM7　︎　C#m7　︎　　F#/F#7　︎　B/B6/BM7
E/E6/EM7　︎　D#m7(-5)　︎　F#/F#7　︎　B/B6/BM7

属調の平行調：G-sharp minor（嬰ト短調）への転調

先行調のコード特徴コード　後続調の確立
E/E6/EM7　︎D#/D#7　︎　G#m/G#m6/G#mM7
E/E6/EM7　︎A#m(-5)/A#m7(-5) ︎D#/D#7︎ G#m/G#m6/G#mM7
E/E6/EM7　︎　F#m7　︎　D#/D#7　︎　　G#m/G#m6/G#mM7
E/E6/EM7　︎　F#m7　︎　A#m(-5)/A#m7(-5) ︎　D#/D#7︎ G#m/G#m6/G#mM7
E/E6/EM7　︎　G#m7　︎　　D#/D#7　︎　G#m/G#m6/G#mM7
E/E6/EM7　︎　G#m7　︎　　A#m(-5)/A#m7(-5)︎　D#/D#7︎ G#m/G#m6/G#mM7
E/E6/EM7　︎　AM7　︎　D#/D#7　︎　G#m/G#m6/G#mM7
E/E6/EM7　︎　AM7　︎　A#m(-5)/A#m7(-5)︎　D#/D#7︎ G#m/G#m6/G#mM7
E/E6/EM7　︎　B7　︎　D#/D#7　︎　G#m/G#m6/G#mM7
E/E6/EM7　︎　B7　︎　A#m(-5)/A#m7(-5)︎　D#/D#7︎ G#m/G#m6/G#mM7
E/E6/EM7　︎　C#m7　︎　　D#/D#7　︎　G#m/G#m6/G#mM7
E/E6/EM7　︎　C#m7　︎　　A#m(-5)/A#m7(-5) ︎　D#/D#7︎ G#m/G#m6/G#mM7
E/E6/EM7　︎　D#m7(-5)　︎　D#/D#7　︎　G#m/G#m6/G#mM7
E/E6/EM7　︎　D#m7(-5)　︎A#m(-5)/A#m7(-5) ︎　D#/D#7︎ G#m/G#m6/G#mM7

下属調：A major（イ長調）への転調

先行調のコード特徴コード　後続調の確立
E/E6/EM7　︎　D ︎　E/E7 ︎A/A6/AM7
E/E6/EM7　︎　Bm/Bm7 ︎E/E7︎ A/A6/AM7
E/E6/EM7　︎　F#m7　︎　D　︎　E/E7 ︎A/A6/AM7
E/E6/EM7　︎　F#m7　︎　Bm/Bm7 ︎E/E7 ︎A/A6/AM7
E/E6/EM7　︎　G#m7　︎　D　︎E/E7 ︎A/A6/AM7
E/E6/EM7　︎　G#m7　︎　Bm/Bm7 ︎E/E7 ︎A/A6/AM7
E/E6/EM7　︎　AM7　︎　D　︎E/E7 ︎A/A6/AM7
E/E6/EM7　︎　AM7　︎　Bm/Bm7 ︎E/E7 ︎A/A6/AM7
E/E6/EM7　︎　B7　︎　D　︎E/E7 ︎A/A6/AM7
E/E6/EM7　︎　B7　︎　Bm/Bm7 ︎　E/E7 ︎A/A6/AM7
E/E6/EM7　︎　C#m7　︎　D　︎E/E7 ︎A/A6/AM7
E/E6/EM7　︎　C#m7　︎　Bm/Bm7 ︎　E/E7 ︎A/A6/AM7
E/E6/EM7　︎　D#m7(-5)︎　D　︎　E/E7 ︎A/A6/AM7
E/E6/EM7　︎　D#m7(-5)︎　Bm/Bm7 ︎　E/E7 ︎A/A6/AM7

下属調の平行調：F-sharp minor（嬰へ短調）への転調

先行調のコード特徴コード　後続調の確立
E/E6/EM7　︎　C#/C#7　︎　F#m/ F#m6/F#mM7
E/E6/EM7　︎　Bm/Bm7 ︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　G#m(-5)/G#m7(-5)︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D/DM7　︎ C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D/DM7　︎G#m(-5)/G#m7(-5)/Bm/Bm7︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎　C#/C#7　︎　　F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎　Bm/Bm7 ︎　C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎　G#m(-5)/G#m7(-5)︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎　D/DM7　︎　C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎　D/DM7　︎　G#m(-5)/G#m7(-5)/Bm/Bm7︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7　︎　C#/C#7　︎　F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7　︎　Bm/Bm7 ︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7　︎　G#m(-5)/G#m7(-5)︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7　︎D/DM7　︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7　︎D/DM7　︎G#m(-5)/G#m7(-5)/Bm/Bm7︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　AM7　︎　C#/C#7　︎　F#m/ F#m6/F#mM7
E/E6/EM7　︎　AM7　︎　Bm/Bm7 ︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　AM7　︎　G#m(-5)/G#m7(-5)︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　AM7　︎D/DM7　︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　AM7　︎D/DM7　︎G#m(-5)/G#m7(-5)/Bm/Bm7︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　B　︎　C#/C#7︎　F#m/ F#m6/F#mM7
E/E6/EM7　︎　B　︎　Bm/Bm7 ︎ C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　B　︎　G#m(-5)/G#m7(-5)︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　B　︎D/DM7　︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　B　︎D/DM7　︎G#m(-5)/G#m7(-5)/Bm/Bm7︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　B　︎　C#/C#7　︎　F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎　Bm/Bm7 ︎　C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎　G#m(-5)/G#m7(-5)︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎D/DM7　︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　C#m7　︎D/DM7　︎G#m(-5)/G#m7(-5)/Bm/Bm7︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7(-5)︎　C#/C#7　︎　F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7(-5)︎　Bm/Bm7 ︎　C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7(-5)︎　G#m(-5)/G#m7(-5)︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7(-5)︎D/DM7　︎C#/C#7︎F#m/ F#m6/F#mM7
E/E6/EM7　︎　D#m7(-5)︎D/DM7　︎G#m(-5)/G#m7(-5)/Bm/Bm7︎C#/C#7︎F#m/ F#m6/F#mM7