近親調への転調：C-sharp major ➡︎

転調, 音楽理論

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：A-sharp minor（嬰ニ短調）への転調

先行調のコード特徴コード　後続調の確立
C#/C#6/C#M7　➡︎　E#/E#7　➡︎　A#m/A#m6/A#mM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　E#/E#7　➡︎　A#m/A#m6/A#mM7
C#/C#6/C#M7　➡︎　E#m7　➡︎　E#/E#7　➡︎　A#m/A#m6/A#mM7
C#/C#6/C#M7　➡︎　F#M7　➡︎　E#/E#7　➡︎A#m/A#m6/A#mM7
C#/C#6/C#M7　➡︎　G#7　➡︎　E#/E#7　➡︎A#m/A#m6/A#mM7
C#/C#6/C#M7　➡︎　A#m7　➡︎　E#/E#7　➡︎A#m/A#m6/A#mM7
C#/C#6/C#M7　➡︎　B#m7(-5)　➡︎E#/E#7　➡︎A#m/A#m6/A#mM7

※　E#m7　＝　Fm7 / B#m7(-5) = Cm7(-5) / E#/E#7 = F/F7

属調：A-flat major（変イ長調）への転調

先行調のコード特徴コード　後続調の確立
C#/C#6/C#M7　➡︎　E♭/E♭7　➡︎　A♭/A♭6/A♭M7
C#/C#6/C#M7　➡︎　D#m7　➡︎　E♭/E♭7　➡︎　　A♭/A♭6/A♭M7
C#/C#6/C#M7　➡︎　E#m7　➡︎　　E♭/E♭7　➡︎　A♭/A♭6/A♭M7
C#/C#6/C#M7　➡︎　F#M7　➡︎　E♭/E♭7　➡︎　A♭/A♭6/A♭M7
C#/C#6/C#M7　➡︎　G#7　➡︎　E♭/E♭7　➡︎　A♭/A♭6/A♭M7
C#/C#6/C#M7　➡︎　A#m7　➡︎　　E♭/E♭7　➡︎　A♭/A♭6/A♭M7
C#/C#6/C#M7　➡︎　B#m7(-5)　➡︎　E♭/E♭7　➡︎　A♭/A♭6/A♭M7

※　E#m7　＝　Fm7 / B#m7(-5) = Cm7(-5)

属調の平行調：F minor（ヘ短調）への転調

先行調のコード特徴コード　後続調の確立
C#/C#6/C#M7　➡︎C/C7　➡︎　Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎Gm(-5)/Gm7(-5) ➡︎C/C7➡︎ Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　C/C7　➡︎　　Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　Gm(-5)/Gm7(-5) ➡︎　C/C7➡︎ Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　E#m7　➡︎　　C/C7　➡︎　Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　E#m7　➡︎　　Gm(-5)/Gm7(-5)➡︎　C/C7➡︎ Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　F#M7　➡︎　C/C7　➡︎　Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　F#M7　➡︎　Gm(-5)/Gm7(-5)➡︎　C/C7➡︎ Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　G#7　➡︎　C/C7　➡︎　Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　G#7　➡︎　Gm(-5)/Gm7(-5)➡︎　C/C7➡︎ Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　A#m7　➡︎　　C/C7　➡︎　Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　A#m7　➡︎　　XGm(-5)/Gm7(-5)➡︎　C/C7➡︎ Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　B#m7(-5)　➡︎　C/C7　➡︎　Fm/Fm6/FmM7
C#/C#6/C#M7　➡︎　B#m7(-5)　➡︎Gm(-5)/Gm7(-5)➡︎　C/C7➡︎ Fm/Fm6/FmM7

下属調：F-sharp major（嬰へ長調）への転調

先行調のコード特徴コード　後続調の確立
C#/C#6/C#M7　➡︎　B/B7 ➡︎　C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　G#m/G#m7 ➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　D#m7　➡︎　B/B7　➡︎　C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　D#m7　➡︎　G#m/G#m7 ➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　E#m7　➡︎　B/B7　➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　E#m7　➡︎　G#m/G#m7 ➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　F#M7　➡︎　B/B7　➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　F#M7　➡︎　G#m/G#m7 ➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　G#7　➡︎　B/B7　➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　G#7　➡︎　G#m/G#m ➡︎　C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　A#m7　➡︎　B/B7　➡︎C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　A#m7　➡︎　G#m/G#m ➡︎　C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　B#m7(-5)➡︎　B/B7　➡︎　C#/C#7 ➡︎F#/F#6/F#M7
C#/C#6/C#M7　➡︎　B#m7(-5)➡︎　G#m/G# ➡︎　C#/C#7 ➡︎F#/F#6/F#M7

下属調の平行調：D-sharp minor（嬰ニ短調）への転調

先行調のコード特徴コード　後続調の確立
C#/C#6/C#M7　➡︎　A#/A#7　➡︎　D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　G#m/G#m7 ➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　E#m(-5)/E#m7(-5)➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　B#/B#M7　➡︎ A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　B#/B#M7　➡︎E#m(-5)/E#m7(-5)/G#m/D#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　A#/A#7　➡︎　　D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　G#m/G#m7 ➡︎　A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　E#m(-5)/E#m7(-5)➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　B#/B#M7　➡︎　A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　D#m7　➡︎　B#/B#M7　➡︎　E#m(-5)/E#m7(-5)/G#m/D#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Em7　➡︎　A#/A#7　➡︎　D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Em7　➡︎　Bm/Bm7 ➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Em7　➡︎　E#m(-5)/E#m7(-5)➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Em7　➡︎B#/B#M7　➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Em7　➡︎B#/B#M7　➡︎E#m(-5)/E#m7(-5)/G#m/D#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　F#M7　➡︎　A#/A#7　➡︎　D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　F#M7　➡︎　G#m/G#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　F#M7　➡︎　E#m(-5)/E#m7(-5)➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　F#M7　➡︎B#/B#M7　➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　F#M7　➡︎B#/B#M7　➡︎E#m(-5)/E#m7(-5)/G#m/D#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　G#7　➡︎　A#/A#7➡︎　D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　G#7　➡︎　G#m/G#m7 ➡︎ A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　G#7　➡︎　E#m(-5)/E#m7(-5)➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　G#7　➡︎B#/B#M7　➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　G#7　➡︎B#/B#M7　➡︎E#m(-5)/E#m7(-5)/G#m/D#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　G#7　➡︎　A#/A#7　➡︎　D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Am7　➡︎　G#m/G#m7 ➡︎　A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Am7　➡︎　E#m(-5)/E#m7(-5)➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Am7　➡︎B#/B#M7　➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　Am7　➡︎B#/B#M7　➡︎E#m(-5)/E#m7(-5)/G#m/D#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　B#m7(-5)➡︎　A#/A#7　➡︎　D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　B#m7(-5)➡︎　G#m/G#m7 ➡︎　A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　B#m7(-5)➡︎　E#m(-5)/E#m7(-5)➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　B#m7(-5)➡︎B#/B#M7　➡︎A#/A#7➡︎D#m/ D#m6/D#mM7
C#/C#6/C#M7　➡︎　B#m7(-5)➡︎B#/B#M7　➡︎E#m(-5)/E#m7(-5)/G#m/D#m7➡︎A#/A#7➡︎D#m/ D#m6/D#mM7

E#/E#M7 = F/FM7

コメント

  1. K より:
    2019年5月16日 6:33 AM

    C♯とD♭を書き分けていますが、違いって何なんですか？

    返信