近親調への転調：B major〜

転調, 音楽理論

ムジカ・サポート > 音楽理論 > 転調 > 近親調への転調：B major〜

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：G-sharp minor（嬰ト短調）への転調

先行調のコード特徴コード　後続調の確立
B/B6/BM7　︎　D#/D#7　︎　G#m/G#m6/G#mM7
B/B6/BM7　︎　C#m7　︎　D#/D#7　︎　　G#m/G#m6/G#mM7
B/B6/BM7　︎　D#m7　︎　D#/D#7　︎　G#m/G#m6/G#mM7
B/B6/BM7　︎　EM7　︎　D#/D#7　︎　　G#m/G#m6/G#mM7
B/B6/BM7　︎　F#7　︎　D#/D#7　︎　G#m/G#m6/G#mM7
B/B6/BM7　︎　G#m7　︎　D#/D#7　︎　G#m/G#m6/G#mM7
B/B6/BM7　︎　A#m7(-5)　︎　D#/D#7　︎　G#m/G#m6/G#mM7

属調：F-sharp major（嬰へ長調）への転調

先行調のコード特徴コード　後続調の確立
B/B6/BM7　︎　C#/C#7　︎　F#/F#6/F#M7
B/B6/BM7　︎　C#m7　︎　C#/C#7　︎　　F#/F#6/F#M7
B/B6/BM7　︎　D#m7　︎　　C#/C#7　︎　F#/F#6/F#M7
B/B6/BM7　︎　EM7　︎　C#/C#7　︎　F#/F#6/F#M7
B/B6/BM7　︎　F#　C#/C#7　︎　F#/F#6/F#M7
B/B6/BM7　︎　G#m7　︎　　C#/C#7　︎　F#/F#6/F#M7
B/B6/BM7　︎　A#m7(-5)　︎　C#/C#7　︎　F#/F#6/F#M7

属調の平行調：D-sharp minor（嬰ニ短調）への転調

先行調のコード特徴コード　後続調の確立
B/B6/BM7　︎A#/A#7　︎　D#m/D#m6/D#mM7
B/B6/BM7　︎E#m(-5)/E#m7(-5) ︎A#/A#7︎ D#m/D#m6/D#mM7
B/B6/BM7　︎　C#m7　︎　A#/A#7　︎　　D#m/D#m6/D#mM7
B/B6/BM7　︎　C#m7　︎　E#m(-5)/E#m7(-5) ︎　A#/A#7︎ D#m/D#m6/D#mM7
B/B6/BM7　︎　D#m7　︎　　A#/A#7　︎　D#m/D#m6/D#mM7
B/B6/BM7　︎　D#m7　︎　　E#m(-5)/E#m7(-5)︎　A#/A#7︎ D#m/D#m6/D#mM7
B/B6/BM7　︎　EM7　︎　A#/A#7　︎　D#m/D#m6/D#mM7
B/B6/BM7　︎　EM7　︎　E#m(-5)/E#m7(-5)︎　A#/A#7︎ D#m/D#m6/D#mM7
B/B6/BM7　︎　F#7　︎　A#/A#7　︎　D#m/D#m6/D#mM7
B/B6/BM7　︎　F#7　︎　E#m(-5)/E#m7(-5)︎　A#/A#7︎ D#m/D#m6/D#mM7
B/B6/BM7　︎　G#m7　︎　　A#/A#7　︎　D#m/D#m6/D#mM7
B/B6/BM7　︎　G#m7　︎　　E#m(-5)/E#m7(-5) ︎　A#/A#7︎ D#m/D#m6/D#mM7
B/B6/BM7　︎　A#m7(-5)　︎　A#/A#7　︎　D#m/D#m6/D#mM7
B/B6/BM7　︎　A#m7(-5)　︎E#m(-5)/E#m7(-5) ︎　A#/A#7︎ D#m/D#m6/D#mM7

※　E#m(-5)/E#m7(-5)　＝　Fm(-5)/Fm7(-5)

下属調：E major（ホ長調）への転調

先行調のコード特徴コード　後続調の確立
B/B6/BM7　︎　A ︎　B/B7 ︎E/E6/EM7
B/B6/BM7　︎　F#m/F#m7 ︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　C#m7　︎　A　︎　B/B7 ︎E/E6/EM7
B/B6/BM7　︎　C#m7　︎　F#m/F#m7 ︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　D#m7　︎　A　︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　D#m7　︎　F#m/F#m7 ︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　EM7　︎　A　︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　EM7　︎　F#m/F#m7 ︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　F#7　︎　A　︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　F#7　︎　F#m/F#m7 ︎　B/B7 ︎E/E6/EM7
B/B6/BM7　︎　G#m7　︎　A　︎B/B7 ︎E/E6/EM7
B/B6/BM7　︎　G#m7　︎　F#m/F#m7 ︎　B/B7 ︎E/E6/EM7
B/B6/BM7　︎　A#m7(-5)︎　A　︎　B/B7 ︎E/E6/EM7
B/B6/BM7　︎　A#m7(-5)︎　F#m/F#m7 ︎　B/B7 ︎E/E6/EM7

下属調の平行調：C-sharp minor（嬰ハ短調）への転調

先行調のコード特徴コード　後続調の確立
B/B6/BM7　︎　G#/G#7 ︎　C#m/ C#m6/C#mM7
B/B6/BM7　︎　F#m/F#m7 ︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　D#m(-5)/D#m7(-5)︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A/AM7　︎ G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A/AM7　︎D#m(-5)/D#m7(-5)/F#m/F#m7︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎　G#/G#7 ︎　　C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎　F#m/F#m7 ︎　G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎　D#m(-5)/D#m7(-5)︎︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎　A/AM7　︎　G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎　A/AM7　︎　D#m(-5)/D#m7(-5)/F#m/F#m7︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7　︎　G#/G#7 ︎　C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7　︎　F#m/F#m7 ︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7　︎　D#m(-5)/D#m7(-5)︎︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7　︎A/AM7　︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7　︎A/AM7　︎D#m(-5)/D#m7(-5)/F#m/F#m7︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　EM7　︎　G#/G#7 ︎　C#m/ C#m6/C#mM7
B/B6/BM7　︎　EM7　︎　F#m/F#m7 ︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　EM7　︎　D#m(-5)/D#m7(-5)︎︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　EM7　︎A/AM7　︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　EM7　︎A/AM7　︎D#m(-5)/D#m7(-5)/F#m/F#m7︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　F#　︎　G#/G#7 ︎　C#m/ C#m6/C#mM7
B/B6/BM7　︎　F#　︎　F#m/F#m7 ︎ G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　F#　︎　D#m(-5)/D#m7(-5)︎︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　F#　︎A/AM7　︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　F#　︎A/AM7　︎D#m(-5)/D#m7(-5)/F#m/F#m7︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　F#　︎　G#/G#7 ︎　C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎　F#m/F#m7 ︎　G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎　D#m(-5)/D#m7(-5)︎︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎G/GM7　︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　G#m7　︎A/AM7　︎D#m(-5)/D#m7(-5)/F#m/F#m7︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7(-5)︎　A/AM7 ︎　C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7(-5)︎　F#m/F#m7 ︎　G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7(-5)︎　D#m(-5)/D#m7(-5)︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7(-5)︎A/AM7　︎G#/G#7︎C#m/ C#m6/C#mM7
B/B6/BM7　︎　A#m7(-5)︎A/AM7　︎D#m(-5)/D#m7(-5)/F#m/F#m7︎G#/G#7︎C#m/ C#m6/C#mM7