近親調への転調：G major ➡︎

転調, 音楽理論

ここでは、特徴音を使った転調のモデルを紹介しています。

平行調：E minor（ホ短調）への転調

先行調のコード特徴コード　後続調の確立
G/G6/GM7　➡︎　B/B7　➡︎　Em/Em6/EmM7
G/G6/GM7　➡︎　Am7　➡︎　B/B7　➡︎　　Em/Em6/EmM7
G/G6/GM7　➡︎　Bm7　➡︎　B/B7　➡︎　Em/Em6/EmM7
G/G6/GM7　➡︎　CM7　➡︎　B/B7　➡︎　　Em/Em6/EmM7
G/G6/GM7　➡︎　D7　➡︎　B/B7　➡︎　Em/Em6/EmM7
G/G6/GM7　➡︎　Em7　➡︎　B/B7　➡︎　Em/Em6/EmM7
G/G6/GM7　➡︎　F#m7(-5)　➡︎　B/B7　➡︎　Em/Em6/EmM7

属調：D major（ニ長調）への転調

先行調のコード特徴コード　後続調の確立
G/G6/GM7　➡︎　B/B7　➡︎　D/D6/DM7
G/G6/GM7　➡︎　Am7　➡︎　B/B7　➡︎　　D/D6/DM7
G/G6/GM7　➡︎　Bm7　➡︎　　B/B7　➡︎　D/D6/DM7
G/G6/GM7　➡︎　CM7　➡︎　B/B7　➡︎　D/D6/DM7
G/G6/GM7　➡︎　D7　➡︎　B/B7　➡︎　D/D6DM7
G/G6/GM7　➡︎　Em7　➡︎　　B/B7　➡︎　D/D6/DM7
G/G6/GM7　➡︎　F#m7(-5)　➡︎　B/B7　➡︎　D/D6/DM7

属調の平行調：B minor（ロ短調）への転調

先行調のコード特徴コード　後続調の確立
G/G6/GM7　➡︎F#/F#7　➡︎　Bm/Bm6/BmM7
G/G6/GM7　➡︎C#m(-5)/C#m7(-5) ➡︎F#/F#7 ➡︎ Bm/Bm6/BmM7
G/G6/GM7　➡︎　Am7　➡︎　F#/F#7　➡︎　　Bm/Bm6/BmM7
G/G6/GM7　➡︎　Am7　➡︎　C#m(-5)/C#m7(-5) ➡︎　F#/F#7 ➡︎ Bm/Bm6/BmM7
G/G6/GM7　➡︎　Bm7　➡︎　　F#/F#7　➡︎　Bm/Bm6/BmM7
G/G6/GM7　➡︎　Bm7　➡︎　　C#m(-5)/C#m7(-5) ➡︎　F#/F#7 ➡︎ Bm/Bm6/BmM7
G/G6/GM7　➡︎　CM7　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7
G/G6/GM7　➡︎　CM7　➡︎　C#m(-5)/C#m7(-5) ➡︎　F#/F#7 ➡︎ Bm/Bm6/BmM7
G/G6/GM7　➡︎　D7　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7
G/G6/GM7　➡︎　D7　➡︎　C#m(-5)/C#m7(-5) ➡︎　F#/F#7 ➡︎ Bm/Bm6/BmM7
G/G6/GM7　➡︎　Em7　➡︎　　F#/F#7　➡︎　Bm/Bm6/BmM7
G/G6/GM7　➡︎　Em7　➡︎　　C#m(-5)/C#m7(-5) ➡︎　F#/F#7 ➡︎ Bm/Bm6/BmM7
G/G6/GM7　➡︎　F#m7(-5)　➡︎　F#/F#7　➡︎　Bm/Bm6/BmM7
G/G6/GM7　➡︎　F#m7(-5)　➡︎C#m(-5)/C#m7(-5) ➡︎　F#/F#7 ➡︎ Bm/Bm6/BmM7

下属調：C major（ハ長調）への転調

先行調のコード特徴コード　後続調の確立
G/G6/GM7　➡︎　F ➡︎　G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　Dm/Dm7 ➡︎G/G7 ➡︎C/C6CM7
G/G6/GM7　➡︎　Am7　➡︎　F　➡︎　G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　Am7　➡︎　Dm/Dm7 ➡︎　G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　Bm7　➡︎　F　➡︎G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　Bm7　➡︎　Dm/Dm7 ➡︎G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　CM7　➡︎　F　➡︎G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　CM7　➡︎　Dm/Dm7 ➡︎G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　D7　➡︎　F　➡︎G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　D7　➡︎　Dm/Dm7 ➡︎　G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　Em7　➡︎　F　➡︎G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　Em7　➡︎　Dm/Dm7 ➡︎　G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　F#m7(-5)➡︎　F　➡︎　G/G7 ➡︎C/C6/CM7
G/G6/GM7　➡︎　F#m7(-5)➡︎　Gm/Gm7 ➡︎　G/G7 ➡︎C/C6/CM7

下属調の平行調：A minor（イ短調）への転調

先行調のコード特徴コード　後続調の確立
G/G6/GM7　➡︎　E/E7　➡︎　Am/Am6/AmM7
G/G6/GM7　➡︎　Dm/Dm7 ➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Bm(-5)/Bm7(-5)➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　F/FM7　➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　F/FM7　➡︎Bm(-5)/Bm7(-5)/Dm/Dm7➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Am7　➡︎　E/E7　➡︎　　Am/Am6/AmM7
G/G6/GM7　➡︎　Am7　➡︎　Dm/Dm7 ➡︎　E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Am7　➡︎　Bm(-5)/Bm7(-5)➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Am7　➡︎　F/FM7　➡︎　E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Am7　➡︎　F/FM7　➡︎　Bm(-5)/Bm7(-5)/Dm/Dm7➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Bm7　➡︎　E/E7　➡︎　E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Bm7　➡︎　Dm/Dm7 ➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Bm7　➡︎　Bm(-5)/Bm7(-5)➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Bm7　➡︎F/FM7　➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Bm7　➡︎F/FM7　➡︎Bm(-5)/Bm7(-5)/Dm/Dm7➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　CM7　➡︎　E/E7　➡︎　Am/Am6/AmM7
G/G6/GM7　➡︎　CM7　➡︎　Dm/Dm7 7 ➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　CM7　➡︎　Bm(-5)/Bm7(-5)➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　CM7　➡︎F/FM7　➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　CM7　➡︎F/FM7　➡︎Bm(-5)/Bm7(-5)/Dm/Dm7➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　D　➡︎　E/E7　➡︎　Am/Am6/AmM7
G/G6/GM7　➡︎　D　➡︎　Dm/Dm7 ➡︎　E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　D　➡︎　Bm(-5)/Bm7(-5)➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　D　➡︎F/FM7　➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　D　➡︎F/FM7　➡︎Bm(-5)/Bm7(-5)/Dm/Dm7➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　D　➡︎　E/E7　➡︎　Am/Am6/AmM7
G/G6/GM7　➡︎　Em7　➡︎　Dm/Dm7 ➡︎　E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Em7　➡︎　Bm(-5)/Bm7(-5)➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Em7　➡︎F/FM7　➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　Em7　➡︎F/FM7　➡︎Bm(-5)/Bm7(-5)/Dm/Dm7➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　F#m7(-5)➡︎　A/A7　➡︎　Am/Am6/AmM7
G/G6/GM7　➡︎　F#m7(-5)➡︎　Dm/Dm7 ➡︎　E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　F#m7(-5)➡︎　Bm(-5)/Bm7(-5)➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　F#m7(-5)➡︎F/FM7　➡︎E/E7➡︎Am/Am6/AmM7
G/G6/GM7　➡︎　F#m7(-5)➡︎F/FM7　➡︎Bm(-5)/Bm7(-5)/Dm/Dm7➡︎E/E7➡︎Am/Am6/AmM7